By Carl Gustafson,Talon Gustafson,John Sarkett
Who is Carl Gustafson, you'll ask? An iconoclast, a insurgent, a provocateur.
A flag bearer for human dignity?
An Indiana Jones variety adventurer, seeker of fact, justice and a greater American approach? convinced, definite, definitely.
An outsider artist, a Henry Darger operating in obscurity on his grand imaginative and prescient for his oversize textile of lifestyles, and wishing to proportion it? Oh, sure.
And combine this in, too: one half Edward Abbey for his meticulous energy of statement ("I want that mankind, wealthy or negative, may no less than plant a unmarried flower or signal their signature upon their existence in a few particular means. in the event that they do, i'm going to realize it."), one half Thoreau logging nature notes, one half Kerouac at the street, one half Dylan Thomas raging into the great evening, and eventually nineteenth century French composer Hector Berlioz writing his funny and insightful Evenings within the Orchestra - in basic terms this time the orchestra is a blues band.
Another half anthropologist Margaret Mead dwelling one of the natives, one other half Zen grasp along with his Buddhist reputation, reluctant or in a different way, of all issues round him on any given day, he rigorously observes and notates the entire minutia round him on any given day, all of the whereas maintaining a talk with himself, occasionally bemused, occasionally offended, occasionally transcendent.
The writing here's paradoxical, maddening, complicated via turns....and then all of sudden riveting. you will see your self in those pages - that is the riveting - after which, i believe chances are you'll simply see the possibility of your larger self, too. that is the magical.
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AIN'T JUST BLUES IT'S SHOWTIME: Hard times, heartache, and glory along Blues Highway by Carl Gustafson,Talon Gustafson,John Sarkett